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Creative Thought Space

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Dmetri Kakmi | Melbourne, Australia | www.en.wikipedia.org/wiki/Dmetri_Kakmi
Essayist, Reviewer, Speaker, Broadcaster, Editor, Author

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What do you think being creative means?
Creativity is an expansive brain. Open curiosity is a necessity. So is not being afraid to think for yourself and to express a particular outlook. Creativity encompasses all aspects of life, connecting disparate ideas and experiences in a distinctive manner.
 
How do you include creativity in your life?
Through writing and fashion. I write for three and a half hours, five days a week. I am also passionate about clothes and take care when I dress. Home is calibrated to support a calm environment that allows for work and relaxation. Preparing meals for friends and family is a gesture of love and gratitude. Getting high and dancing to techno is a bonus.
 
What are your thoughts on how your life has influenced your creative imagination, and how your creative imagination has influenced your life?
I always say I’d be a basket case if I didn’t write. One good thing about a traumatic upbringing is it can feed writing, and the writing can keep demons at bay. Writing is performance art. For each piece, whether it’s fiction or non-fiction, I adopt a different persona to tell a story. At the end, I doff that persona and take on another. It’s a kind of acting, becoming someone else, while remaining grounded in yourself and the demands of your chosen art form.
 
What, if any, exercises do you do to get into a creative mode?
In lieu of exercises, I have habits and totems. My habit is to sit at my desk at 9.00 a.m. and get up at 12.30 p.m. I am strict about this and do not tolerate disturbances. Prize totems on my desk include a bronze sculpture of the god Pan, a genie bottle from the TV series I Dream of Jeannie, and Sufi prayer beads from my homeland, Turkey.

How important do you think creativity is in life?
Creative expression is important to me, but I am not convinced it’s a necessity for all. Though doubtless what constitutes creativity is open to interpretation. Basket weaving anyone?

About
Dmetri Kakmi is the author of The Woman in the Well, The Door and Other Uncanny Tales, Mother Land, and When We Were Young (as editor). His essays and short stories appear in anthologies. The monthly column ‘101 Horror Movie Nights’ appears on the US based Drunken Odyssey literary website. He lives in Melbourne.
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  • FILM
  • ART
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  • OTHER STREAMS
  • PROJECTS
  • ABOUT
    • ACCOLADES
    • EXHIBITIONS
    • STORY_LINES HIGHLIGHTS
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